Watson, 2001, 470; Nisbet-Hubbard, 1970, 289. P. Ovidius Naso. Medicamina Faciei Femineae (Cosmetics for the Female Face, also known as The Art of Beauty) is a didactic poem written in elegiac couplets by the Roman poet Ovid. This usefully updates Greenâs work.1 So, ladies, provided you can get your hands on some red natron gum and a rough millstone, you can concoct for yourself Ovidâs treatment that promises a gleaming face. Bryn Mawr PA 19010. De medicamine faciei, auch bezeichnet mit dem Titel Medicamina faciei femineae, ist ein pharmakologisch-kosmetisches Lehrgedicht des römischen Dichters Publius Ovidius Naso. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.  Cic. The praeceptor journeys with his subjects from tenerae…puellae (17), to young women (18–24), to nuptae (25–6), to old age (formam populabitur aetas, 45) and then, using his recipes, back to their youth.  The praeceptor even introduces his first recipe with the claim that it will make faces ‘shine fresh and fair’ (discite age…candida quo possint ora nitere modo, 51–2)– a description which implies renewed youth, and a glowing complexion.. Ovid is considered as a master of the elegiac couplet and is ranked among the canonic poets of Latin literature, alongside Virgil and Horace. The section âOvid on cultus, munditia, and ars â introduces and defines the three key terms in Ovidâs discussions of beauty. edidit ex Rudolphi Merkelii recognitione. edited for Perseus. Damer, Erika Zimmerman. Cultus humum sterilem Cerealia pendere iussit Munera, mordaces interiere rubi. Liveley, 2012 for an approach to narratology in Roman elegy. , Wilkinson’s view that the Medicamina’s fragmentary state is ‘hardly a matter of regret’ has been rightly taken to task, most recently by Rimell, Watson, and Johnson, to name a few. Discite quae faciem commendet cura, puellae, Et quo sit vobis forma tuenda modo. 3.5–6: non erat armatis aequum concurrere nudas/ sic etiam vobis vincere turpe, viri (‘it were not just that defenceless maids should fight with armed men; such a victory, O men, would be shameful for you also’). 9.1", "denarius") All ... Ovid's Art of Love (in three Books), the Remedy of Love, the Art of Beauty, the Court of Love, the History of Love, and Amours. Ovid’s Medicamina Faciei Femineae, (‘Cosmetics for the Female Face’) is an unusual work, to say the least. Ovid reassures that character is also important (ingenio facies conciliante placet, 44).  Plautus, Casina, 153–63, for example. Culta placent. edidit ex Rudolphi Merkelii recognitione. J.-C. et 2 ap.  This, and an uncertain addressee, points towards an external audience. Ovid on Cosmetics: Medicamina Faciei Femineae and Related Texts: Johnson, Marguerite: Amazon.sg: Books Culta placent: auro sublimia tecta linuntur; Nigra sub … ×Your email address will not be published.  The first fifty lines focus on cultus (broadly defined as adornment or cultivation), while the next fifty consist of intricate recipes for ointments written in a ‘Nicandrian’ style, before the extant lines of this poem abruptly end. Johnson supplements the technical discussions with briefer discussions of literary elements of these didactic texts.  While this is indeed the case, I propose to extend the link between cultus and nature into the temporal narrative of age. Amores, Medicamina Faciei Femineae, Ars Amatoria, Remedia Amoris (Oxford Classical Texts) Kindle Edition Author(s): Ovid. Ovidâs Medicamina Faciei Femineae, (âCosmetics for the Female Faceâ) is an unusual work, to say the least.  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